2025/6, Trimester 2, In Person,
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Occurrence: | 002 |
Primary mode of delivery: | In Person |
Location of delivery: | MERCHISTON |
Partner: | |
Member of staff responsible for delivering module: | Qiao Li |
Module Organiser: | |
Student Activity (Notional Equivalent Study Hours (NESH)) |
Mode of activity | Learning & Teaching Activity | NESH (Study Hours) | NESH Description |
Online | Guided independent study | 69 | In Guided Independent Learning, students will apply skills from lectures, tutorials, and workshops to develop their film adaptation projects. This involves researching literary sources, refining screenplays, and addressing technical and narrative challenges independently while reflecting on the adaptation process. |
Face To Face | Lecture | 18 | The Lecture component of the Film Adaptation module will focus on the process of adapting literary works into film. Students will explore the relationship between narrative, character, and production design, learning how to translate these elements from text to screen. Lectures will also cover the challenges of adaptation, including maintaining the essence of the original work and addressing creative, technical, and intellectual hurdles. |
Face To Face | Tutorial | 44 | In Tutorials, each group will receive guidance throughout the process of adapting their chosen literary text into a film. Students will work collaboratively on refining their adaptation, with support in interpreting the source material, developing the screenplay, and addressing production challenges. Tutorials will provide an opportunity for feedback, troubleshooting, and enhancing the creative and technical aspects of the adaptation process. |
Online | Practical classes and workshops | 69 | Practical Classes and Workshops focus on shooting and editing techniques for adapting literary works into film. Students gain hands-on experience in cinematography and post-production, working collaboratively to refine their visual storytelling and technical skills. These sessions emphasize the creative and technical aspects of film adaptation. |
| Total Study Hours | 200 | |
| Expected Total Study Hours for Module | 200 | |
Assessment |
Type of Assessment | Weighting % | LOs covered | Week due | Length in Hours/Words | Description |
Portfolio | 40 | 1~2~3~4 | Week 5 | , WORDS= 15 minutes | Students, working in groups of up to six, will present a 15-minute pitch for a short film adaptation. The pitch should showcase their research and creative vision, addressing themes, genre, character focus, visual style, and key logistical elements such as schedule, budget, and health and safety. To support their approach, groups are encouraged to use clips, stills, or other artistic references. A PowerPoint presentation must be submitted prior to the in-class pitch. A 5-8 page draft script is to be submitted the following week.The pitch is a group assessment, where the group will be marked collectively for the pitch presentation. However, individual contributions will also be evaluated based on each student's assigned role (e.g., director, editor, sound designer) in the pitch process, as well as their workbook documentation. This ensures that each student's personal contributions and reflections are fairly assessed in addition to the group’s collective work. |
Project - Practical | 60 | 1~2~3~4 | Week 13 | HOURS= 5-8 minutes | The Adaptation Short Film assignment challenges students to creatively reimagine a literary work as a short film. This project emphasises both the creative and technical dimensions of adaptation, including screenplay writing, directing, cinematography, sound design, editing, and the art of transforming narrative elements from text to screen.As a group project comprising 60% of the total module grade, this assignment fosters collaboration while recognising individual contributions. Students will work as a team to produce a cohesive and compelling short film, with each member taking on a defined production role (e.g., director, editor, sound designer).To ensure a fair evaluation, group work will be assessed collectively, while individual performance will be graded based on role-specific contributions and a detailed reflective workbook, documenting their personal effort, creative input, and learning throughout the process. |
Component 1 subtotal: | 40 | | |
Component 2 subtotal: | 60 | | | | |
Module subtotal: | 100 | | | | |