2025/6, Trimester 1, In Person,
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Occurrence: | 001 |
Primary mode of delivery: | In Person |
Location of delivery: | MERCHISTON |
Partner: | |
Member of staff responsible for delivering module: | Paul Gray |
Module Organiser: | |
Student Activity (Notional Equivalent Study Hours (NESH)) |
Mode of activity | Learning & Teaching Activity | NESH (Study Hours) | NESH Description |
Face To Face | Lecture | 36 | In this lecture series, you will analyse short form film-making, storytelling techniques, and how different production departments collaborate to create a cohesive and coherent mise-en-scène. You will explore how film-makers craft engaging narratives through effective world-building; examine character relations and motivations; and how film-makers can shape audience expectations.
In addition to the whole cohort lecture series, additional lectures will focus on role specific topics. |
Face To Face | Tutorial | 15 | Tutorials will focus on two key areas - supporting the development of your overall group project and providing support for your specific discipline and individual assessable role. |
Online | GROUPIND_STUDY | 149 | Group work is an essential part of this module, requiring you to collaborate effectively and engage actively with your peers. Success in group work depends on your ability to manage your workload, meet deadlines, and participate fully in the collaborative process. You are encouraged to reflect on feedback and apply your research and developments throughout the process, in support of both your individual progress and that of the group. |
| Total Study Hours | 200 | |
| Expected Total Study Hours for Module | 200 | |
Assessment |
Type of Assessment | Weighting % | LOs covered | Week due | Length in Hours/Words | Description |
Portfolio | 30 | 1~2~3~4~5 | Week 11 | , WORDS= 1500 | Your proposal and presentation will be supported by an individual research dossier that will include a test film sequence and associated materials, individual written creative & critical reflection, and a research and experimentation journal, all of which should clearly convey the research and creative strategies that you have employed towards the proposed outcomes. |
Oral Presentation | 70 | 1~2~3~4~5 | Week 11 | HOURS= 1500, 3 mins | You are required to make an oral and visual presentation of your film proposal. Presentations are collaborative, with the size of the team dependant on how you have been working.Each presentation will be allocated 3 minutes to pitch the story then an additional 3 minutes will be added per individual in an assessable role, to a maximum of 21 minutes. Aim to structure your presentation so that each person can build on the cumulative input from previous contributions. In support of your presentation and alongside any visual references used in the presentation, you will also submit a written proposal. This proposal should be A4 portrait with a simple clean design, favouring readability over any overuse of graphic elements. Alongside the group contribution, each assessed Head of Department role should include a written outline (600-800 words) of their creative approach to the project.You are also required to include a test shoot as part of your submission that demonstrates your collective creative approach.If for reasons outlined in a learning profile or for any other circumstances, an alternative assessment would be more suitable, or that amendments to presentation guidelines are required, this can be discussed to identify the appropriate additional reasonable adjustments that will be put in place. |
Component 1 subtotal: | 70 | | |
Component 2 subtotal: | 30 | | | | |
Module subtotal: | 100 | | | | |