2022/3, Trimester 1, FACE-TO-FACE, Edinburgh Napier University
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Occurrence: | 001 |
Primary mode of delivery: | FACE-TO-FACE |
Location of delivery: | MERCHISTON |
Partner: | Edinburgh Napier University |
Member of staff responsible for delivering module: | Ken Dempster |
Module Organiser: | |
Learning, Teaching and Assessment (LTA) Approach: |
Learning & Teaching Methods (including their alignment to Learning Outcomes) At the start of themodule (weeks 3 & 5), two practical classes on aural skills will develop and refine your abilities torecognise, identify, and reproduce specific musical elements (LO2). This will be followed by a series ofcomposition lectures in two blocks (weeks 9 and 11, 18 and 20) each of which will be related to aspecific brief (LO1) for a group composition employing a specific form of notation (which may includeeither graphic or text elements) (LO4). You will be assigned to a small collaborative composition group,and these lectures are supported by workshops for each composing group (weeks 12, 22) which willallow you to experiment and refine your compositional strategies and their performance (LO3,5). A finalcomposition lecture and workshop (weeks 26 and 27) will bring together the work of the entire moduleand develop your formative assessments for their final summative performance. Alongside these practicaland performative tasks, ten one-hour workshops on the use of notation software will enhance your abilityto notate traditional staff-based notation for use in composition and arranging (LO4,6), as well as formusical examples embedded in essays.
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There will be an initial formative assessment of the aural skills covered in the first five weeks of themodule which will focus on your awareness of specific musical elements. Twice during the module and inthe context of an informal class-based session, each of the composing groups will perform theircomposition, following which they will receive verbal feedback from their peers and the class tutor, andwritten feedback from the class tutor. These sessions will be videoed or the sound recorded and sharedwith the composing group for further formative development as appropriate. At the end of the firsttrimester, you will submit a portfolio of assignments set during the workshops on notation software. Thefeedback provided on this portfolio will not only enable you to revise and refine them for summativesubmission at the end of the module, but also provide insight into ways in which your use of the softwareand attention to detail can be improved.
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In the final teaching week, each of the composing groups will perform their work in front of peers and theclass tutor. This will be a refined version of the compositions developed throughout the module andassessed formatively. A final portfolio of exercises in using the notation software will also be submittedwhich will comprise revised elements from the formative submission as well as additional exercises setduring the second trimester.
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Student Activity (Notional Equivalent Study Hours (NESH)) |
Mode of activity | Learning & Teaching Activity | NESH (Study Hours) |
Face To Face | Lecture | 14 |
Face To Face | Practical classes and workshops | 10 |
Independent Learning | Groupwork (Independent Study) | 70 |
Independent Learning | Guided independent study | 103 |
Face To Face | Seminar | 3 |
| Total Study Hours | 200 |
| Expected Total Study Hours for Module | 200 |
Assessment |
Type of Assessment | Weighting % | LOs covered | Week due | Length in Hours/Words |
Project - Practical | 60 | 1,2,3,4,5 | 28 | HOURS= 02.00 |
Portfolio | 40 | 4,6 | 29 | HOURS= 00.10 |
Component 1 subtotal: | 60 | |
Component 2 subtotal: | 40 | | | |
Module subtotal: | 100 | | | |