Core Module Information
Module title: Music and Lived Experience

SCQF level: 10:
SCQF credit value: 20.00
ECTS credit value: 10

Module code: MUS10146
Module leader: Jon-Luke Kirton
School School of Arts and Creative Industries
Subject area group: Screen and Performance
Prerequisites

There are no pre-requisites for this module to be added

Description of module content:

The study of lived experience (phenomenology) is a rapidly developing field with significant potential to deepen your understanding of musical experience across performance, composition, sound production and musicology. As a developing professional musician, you will gain the conceptual and reflective tools to examine and articulate the felt, embodied, and relational dimensions of music practice; aspects that are complement traditional analytical or cultural approaches.Through close attention to lived perception, intentionality, embodiment and human relation, you will develop the ability to critically reflect on how music is experienced as a meaningful and dynamic phenomenon. These skills are highly relevant across a range of professional contexts, including performance teaching, community music, composition, sound design, research and interdisciplinary creative practice, where reflective awareness and the ability to communicate nuanced musical experience are increasingly valued.This module positions lived experiences not as secondary to analysis, but as a primary source of musical knowledge. In doing so, it encourages you to connect critical inquiry with your own artistic and professional practice, developing greater sensitivity to how music shapes, and is shaped, by human experience.

Learning Outcomes for module:

Upon completion of this module you will be able to

LO1: Critically evaluate the role of lived experience in music perception, creation, and performance

LO2: Adapt central ideas from phenomenological philosophy to your own creative practice and/or to the exploration of lived experience within a selected musical context

LO3: Analyse and appraise qualitative data found in your own lived experience(s) and/or the experiences of others.

LO4: Synthesise phenomenological methodologies and philosophies to disseminate your findings and encourage experiential resonance

Full Details of Teaching and Assessment
2026/7, Trimester 2, IN PERSON,
VIEW FULL DETAILS
Occurrence: 001
Primary mode of delivery: IN PERSON
Location of delivery: MERCHISTON
Partner:
Member of staff responsible for delivering module: Jon-Luke Kirton
Module Organiser:


Student Activity (Notional Equivalent Study Hours (NESH))
Mode of activityLearning & Teaching ActivityNESH (Study Hours)NESH Description
Face To Face Practical classes and workshops 20 You will participate in practical classes that introduce key phenomenological methods and philosophical concepts, providing a theoretical foundation for exploring lived musical experience. Through case studies of creative and artistic practice, you will examine how phenomenological ideas can be applied in musical contexts. Classes are practice-based and interactive, combining music-making activities, discussion, reflection, and live experimentation that allow you evaluate and anlayse different aspects of lived experience in and through music.
Face To Face Guided independent study 172 You will undertake practical tasks that explore aspects of lived musical experience that are relevant to your own interests, specialisms, and creative practices. You will engage with online Padlets and discussion boards to explore phenomenological themes, methodological approaches, and the experiences of others. Throughout the module, you will complete regular creative and reflective writing exercises centred on lived musical experience, performance, and artistic practice. You will also develop and refine the focus of your research portfolio or essay, identifying questions and themes that align with your interests. Alongside this, you will reflect on appropriate methods for disseminating your work and gathering data and considering how the module relates to your ongoing professional and creative development goals. This will culminate in a final essay or portfolio showcasing your findings.
Online Seminar 5 You will participate in weekly one-hour discussion groups during Weeks 6–10 of the module. These sessions will involve discussion and collaborative practice with peers who share common interests in themes such as time, space, embodiment, and relations, or who work within similar areas of practice, including composition, performance, and music production. You will regularly share and discuss developing work through performance, composition, and other practical activities, receiving and offering feedback as part of the learning process. You will also engage with online discussion boards and contribute constructively to peer feedback throughout the module
Online Guided independent study 3 Reading week: No teaching will take place during Reading Week. This week is intended to support reflection on and consolidation of your practice and learning. The module leader will offer guidance to inform and support the development of your learning during this time.
Total Study Hours200
Expected Total Study Hours for Module200


Assessment
Type of Assessment Weighting % LOs covered Week due Length in Hours/Words Description
Essay 100 1~2~3~4 Week 13 , WORDS= 5000 words You may choose one of two assessment options: You may submit a creative portfolio consisting of 10–15 minutes of practical work that explores the relationship between music and lived experience. This may take the form of performance, composition, music production, or a combination of these approaches. The portfolio should be accompanied by a written commentary of 1,000–1,500 words that contextualises the work, outlines its aims, and reflects on its engagement with phenomenological themes and lived experience.Alternatively, you may submit a 5,000-word essay that explores one or more themes related to lived musical experience. If you choose this option, you should also undertake primary research, typically through interviews or other qualitative methods, in order to investigate the chosen area of experience in depth.
Component 1 subtotal: 100
Component 2 subtotal: 0
Module subtotal: 100

Indicative References and Reading List - URL:
Contact your module leader