2026/7, Trimester 2, IN PERSON,
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| Occurrence: | 001 |
| Primary mode of delivery: | IN PERSON |
| Location of delivery: | MERCHISTON |
| Partner: | |
| Member of staff responsible for delivering module: | Jon-Luke Kirton |
| Module Organiser: | |
| Student Activity (Notional Equivalent Study Hours (NESH)) |
| Mode of activity | Learning & Teaching Activity | NESH (Study Hours) | NESH Description |
| Face To Face | Practical classes and workshops | 20 | You will participate in practical classes that introduce key phenomenological methods and philosophical concepts, providing a theoretical foundation for exploring lived musical experience. Through case studies of creative and artistic practice, you will examine how phenomenological ideas can be applied in musical contexts. Classes are practice-based and interactive, combining music-making activities, discussion, reflection, and live experimentation that allow you evaluate and anlayse different aspects of lived experience in and through music. |
| Face To Face | Guided independent study | 172 | You will undertake practical tasks that explore aspects of lived musical experience that are relevant to your own interests, specialisms, and creative practices. You will engage with online Padlets and discussion boards to explore phenomenological themes, methodological approaches, and the experiences of others. Throughout the module, you will complete regular creative and reflective writing exercises centred on lived musical experience, performance, and artistic practice. You will also develop and refine the focus of your research portfolio or essay, identifying questions and themes that align with your interests. Alongside this, you will reflect on appropriate methods for disseminating your work and gathering data and considering how the module relates to your ongoing professional and creative development goals. This will culminate in a final essay or portfolio showcasing your findings. |
| Online | Seminar | 5 | You will participate in weekly one-hour discussion groups during Weeks 6–10 of the module. These sessions will involve discussion and collaborative practice with peers who share common interests in themes such as time, space, embodiment, and relations, or who work within similar areas of practice, including composition, performance, and music production. You will regularly share and discuss developing work through performance, composition, and other practical activities, receiving and offering feedback as part of the learning process. You will also engage with online discussion boards and contribute constructively to peer feedback throughout the module |
| Online | Guided independent study | 3 | Reading week: No teaching will take place during Reading Week. This week is intended to support reflection on and consolidation of your practice and learning. The module leader will offer guidance to inform and support the development of your learning during this time. |
| Total Study Hours | 200 | |
| Expected Total Study Hours for Module | 200 | |
| Assessment |
| Type of Assessment | Weighting % | LOs covered | Week due | Length in Hours/Words | Description |
| Essay | 100 | 1~2~3~4 | Week 13 | , WORDS= 5000 words | You may choose one of two assessment options: You may submit a creative portfolio consisting of 10–15 minutes of practical work that explores the relationship between music and lived experience. This may take the form of performance, composition, music production, or a combination of these approaches. The portfolio should be accompanied by a written commentary of 1,000–1,500 words that contextualises the work, outlines its aims, and reflects on its engagement with phenomenological themes and lived experience.Alternatively, you may submit a 5,000-word essay that explores one or more themes related to lived musical experience. If you choose this option, you should also undertake primary research, typically through interviews or other qualitative methods, in order to investigate the chosen area of experience in depth. |
| Component 1 subtotal: | 100 | | |
| Component 2 subtotal: | 0 | | | | |
| Module subtotal: | 100 | | | | |