Module title: Collaborative Techniques in Film 2

SCQF level: 11:
SCQF credit value: 20.00
ECTS credit value: 10

Module code: SCA11122
Module leader: Gary Hall
School School of Arts and Creative Industries
Subject area group: Media and Screen
Prerequisites

no

2018/9, Trimester 2, Face-to-Face, Edinburgh Napier University
Occurrence: 001
Primary mode of delivery: Face-to-Face
Location of delivery: MERCHISTON
Partner: Edinburgh Napier University
Member of staff responsible for delivering module: Gary Hall
Module Organiser:


Learning, Teaching and Assessment (LTA) Approach:
The module will consist of a series of lectures and workshops that will provide you with an understanding of the techniques and procedures of professional film shoots on 16 mm film, (LOs 2,3,4), together with lectures and workshops on professional practices within the film industries (LO’s 5,6). Tutorials will support student groups in their creative, critical and logistical prep for assessed exercises (LOs 1,4,5,6).

Formative Assessment:
A series of four group exercises will be staged throughout the trimester.

The film shoot practical exercises involve the filming of a short narrative drama, where you will perform various different specialised crew roles to gain an understanding as to how these specialised roles are performed as part of a film crew, and how all of the different roles work together in a collaborative manner. Tutors for each of the main specialisms attend these exercises, giving support and guidance throughout the day. At the end of each of these exercises the class will receive detailed feedback from each of the tutors, who will also respond to any questions you may have following undertaking the exercises. This will directly feed in to the work required for your Learning Log.

Workshops will be provided to develop your understanding of professional practices and procedures within the film industries, both individually and as a whole, as a benefit to developing employability skills. As a group you will undertake professional practice exercises to support this learning, and feedback will be provided upon completion of each exercise. These formative tasks will help with the preparation of your Learning Log.


Summative Assessment:
Portfolio (week 13) You will put the exercises together into a portfolio of completed group work to demonstrate the outcomes of your collaborative working and learning.

Learning Log (week 13) You will complete an individual learning log, which will enable you to critically reflect on your progress at each stage of the different exercises completed, in the form of a short report or statement on each.


Student Activity (Notional Equivalent Study Hours (NESH))
Mode of activityLearning & Teaching ActivityNESH (Study Hours)
Face To Face Lecture 24
Face To Face Project Supervision 48
Independent Learning Guided independent study 28
Independent Learning Guided independent study 100
Total Study Hours200
Expected Total Study Hours for Module200


Assessment
Type of Assessment Weighting % LOs covered Week due Length in Hours/Words
Portfolio 75 1-4 13 HOURS= 0, WORDS= 0
Learning Log 25 1,5, 6 13 HOURS= 0, WORDS= 2500
Component 1 subtotal: 75
Component 2 subtotal: 25
Module subtotal: 100

Description of module content:

On this module you will be introduced to the particular collaborative problems of shooting on film, particularly with regard to focus, use of prime lenses, and tracking, and the logistical problems faced by a professional crew filming on location. This work will be underpinned by classroom based work which will help you to understand and solve the aesthetic, practical and technical problems that the shooting of complex dramatic scenes principally on film presents.

Learning Outcomes for module:

Upon completion of this module you will be able to:
LO1: Plan dramatically appropriate interpretations of script in terms of camera, sound, direction and editing with 16mm film
LO2: Appraise the principles and procedures of camera, sound, direction and editing required to shoot dramatic scenes on 16 mm film.
LO3: Evaluate the creative, technical and personal skills and resources required in a 16 mm film project to realise your objectives.
LO4: Produce a set of plans for the execution of these objectives in a team context.
LO5: Critically analyse the effectiveness of your work and the roles you have performed in creative and professional terms.
LO6: Review and prioritise your continuing professional practice development needs, in the film industries.

Indicative References and Reading List - URL:

Core - WATTS, H (1992) DIRECTING ON CAMERA: A CHECKLIST OF FILM AND VIDEO TECHNIQUE: AAVO MEDIA, 1st ed.
Recommended - BURUM, S, ED (2007) AMERICAN CINEMATOGRAPHER MANUAL: THE ASC PRESS, 9th ed.
Recommended - BARTLETT, B (1999) ON-LOCATION RECORDING TECHNIQUES: FOCAL PRESS, 1st ed.
Recommended - MAIER, R (1994) LOCATION SCOUTING AND MANAGEMENT HANDBOOK: TELEVISION, FILM, STILLS PHOTOGRAPHY: FOCAL PRESS, 1st ed.
Click here to view the LibrarySearch.